After declaring that she’s the goblin’s bride, high-schooler Eun
Tak (played by Kim Go Eun) follows the goblin through a door… and ends up in Canada, where he’s just
portal-jumped from Seoul. Goblin Kim Shin (played by Gong Yoo) jumps and marvels at the human girl’s
ability to follow him here. She says that
she’s made up her mind—if he’s got powers like this, she’s going to marry him.
“I love you,” she announces with a giant grin.
He’s taken aback
by the sudden declaration, and she teases that he’s putting on an act like he’s
never heard those words before. She points out that he’s not actively turning
her down. Shin tells her to stop it, but she’s having too much fun at his
expense and decides they’re going sightseeing. “Think of it as our honeymoon,”
she says as she leads the way.
Eun Tak runs
through the streets like a kid in a candy store, zigzagging her way through
shops and sights, making Shin dizzy and exasperated. She prods him to tell her
that she’s acting very natural and not at all like a tourist, and he doesn’t
bother replying.
Shin notices how
happy she looks inside a store filled with Christmas decorations, but when she
asks him to take her picture (showing him how to use a camera phone like he’s
eighty, ha), he doesn’t even look at her as he snaps the picture.
Eun Tak loves the
falling autumn leaves, and says that the ones on the ground are a red carpet
laid out especially for her. She asks him about a strange street sign with
elves on it, and he says that it’s a fairy-sighting district. Eun Tak tells the
goblin that he must be very happy to meet a fairy like her, reminding him that
she’s Tinkerbell. He tries to temper his scowl and ends up twitching. She reaches up to
try and catch a falling leaf, and starts to tell him that if you catch one on
its way down… She turns around and bumps into him, standing there with his arm
sticking straight up and a perfect little maple leaf in his hand.
Eun Tak tells him
to throw it away, because if you catch a falling autumn leaf on its way down,
your love with the person you’re walking with will come true. He accuses her of
making that up just now, and she insists that it’s true, just like catching a
cherry blossom leaf and making your first love come true.
He asks why she
wants him to throw it away when she said she loved him earlier, and she asks
again if he’s a goblin. He denies it and asks why she was trying to catch a
leaf then, and she says she thought of herself as walking with that oppa over
there. “Oppa?” he asks incredulously as he turns to see a handsome young man
leaning against a tree. Eun Tak snatches
the leaf out of his hand and runs over to the handsome oppa, only to run back
twice as fast, gasping, “Canadian ghost!” Shin just goes on his way, and she
has to double back after him.
Eun Tak complains
that Canadian ghosts are way scarier because they speak English, and then
realizes they’re in a hotel lobby. She gives him the side-eye and says that he
shouldn’t be bringing a high-schooler somewhere like this, and Shin comes back
with a deadpan “You said you were going to marry me.” He tells her to wait in
the lobby while he goes out for a while. She panics about being left alone, and
guesses that he’s going to meet a lady friend.
Back in Seoul, the
grim reaper (played by Lee Dong Wook) meets with a reaper hoobae—also a man in black, with a black hat.
He hands our Reaper a black file on a missing person and asks how something
like this happens, since he’s never personally encountered a missing person
before. Reaper says that
it’s the whim of the gods, which humans mistake for miracles, and what reapers
call missing persons. He adds that his case is particularly complicated, since
the missing person never had a name, and the hoobae reaper sighs sympathetically
about the paperwork involved.
Hoobae reaper
complains about reapers having to pay rent and eat when they’re hungry and
sleep when they’re tired, finding it unfair. Just then, a woman enters the
coffee shop and starts to argue loudly with a man, accusing him of hitting her
with his car and trying to run. Reaper dons his hat and heads back to work.
He tells the man
and woman that they’ve just died in a car accident, and takes them to his
mystical tea shop, where he offers the woman tea that will let her forget
everything in her past life. She asks if she has to drink it, not wanting to
forget how much she hates this man, and Reaper advises her to: “Oblivion is a
consideration from the gods.”
The man asks where his tea is, and Reaper says he should remember every bad thing he’s done, especially since this isn’t the first time someone’s died because of him. We rewind to the snowy night when Eun Tak’s mother was hit by a car when she was pregnant with her, and see that the hit-and-run driver was this man.
Reaper tells the
man that he’ll come to regret this moment when he couldn’t drink the oblivion
tea, and then he’ll remember why he couldn’t have it, and realize: “That there
isn’t one moment you can turn back. And that you are already in hell.” Reaper
describes the pain that he will endure, his body torn into shreds daily and
nothing but regret on his mind, forever and ever. Satisfied at the man’s future
in hell, the woman drinks her tea in one shot.
The man grovels on
his knees, but the Reaper points up at the sky at the capricious gods, since
it’s out of his hands. He says he knows one person who lives in hell with all
of the memories of his past life intact. Reaper says that person probably
begged for forgiveness countless times, as we cut to Shin standing in a
cemetery in Canada. “But it was no use, because he still stands in the center
of hell,” Reaper concludes.
Shin stands at the
graves of the Yoo family members who have served him for nearly a thousand
years. Shin narrates, “I have buried the young grandson of the grandson of the
grandson who left Goryeo with me. There was a time when I thought of this life
as a reward, but my life was a punishment. I have never forgotten a single
death.” We see that the
young boy who left Goryeo with Shin, Geum Sun, survived the shipwreck, and that he grew up into a young man, and then grew old.
Shin also suffered
immense agony from the sword that remained lodged in his heart, and despite his
desperate attempts to pull it out and end his life, he could never remove it. Back in the
present, Shin puts flowers on Geum Sun’s grave and asks how he’s been. Shin
says he’s been alive all this time, but hasn’t been at peace. The camera pans
over to the headstone next to Geum Sun’s, a nameless grave which has a picture
of Shin on it, for one of his past identities. Eun Tak waits in
the hotel lobby, and finally decides to head outside. She walks up to a nearby
park, and discovers Shin at the top of the hill. “I’ve found you,” she says to
herself with a smile.
She doesn’t make
her presence known, and remains at a distance watching Shin among the graves.
She picks up a dandelion and blows the wisps in his direction, and they reach
him all the way down the hill, though he doesn’t notice. It isn’t until
dusk that he gets up, and he’s surprised to find Eun Tak there. She notes that
his grave is the only one with no name, and asks if he always has to leave the
places he’s lived. She asks how many times he’s done so, and he says he’s never
counted.
Eun Tak bows at
Shin’s grave and introduces herself, addressing the Shin who “died” in 1801:
“I’m going to be your bride in about two hundred years,” she declares
cheerfully. Shin: “No you’re not.” Eun Tak: “I guess not.” She says that
ajusshi will still be handsome two hundred years later, though his personality
is a little mean, and assures him that he “grows up well.” As they walk back, Eun
Tak asks if he lived a long time here, and Shin says he’s left and come back,
again and again, and that this was the first place he landed after leaving his
hometown. She thinks it’s a pity that he didn’t buy the land that the hotel was
built on because it could be his by now.
He stops to look
at her, and she wonders if maybe the hotel really belongs to him, suddenly very
eager to get on his good side. He asks if she isn’t late for school, and
suddenly Eun Tak’s face goes pale as she asks what time it is in Seoul. At the
thought of her homeroom teacher’s wrath, she whimpers, “Should I just live
here? Illegal immigration is better than being tardy, right?”
He leads the way,
and they step from nighttime in Quebec to daytime in Seoul. Eun Tak says she
slept well, since it feels like it was all a dream. She knows it’s time to wake
up now and asks for Shin to forgive her for anything she did in Canada, saying
that she was just so excited.
At school, Eun Tak’s nasty teacher assumes that she isn’t bothering with her schoolwork because she can’t afford to go to college anyway. Eun Tak insists that she’s going to college, and the teacher reacts like she’s being defiant. Who certified you, lady?
At the bus stop
that night, Eun Tak takes out her Quebec guidebook and flips through the pages
wistfully, and pulls out the maple leaf that Shin caught. She thinks of Shin
as a radio DJ says, “When you’re coming home on a rainy night, what is it that
becomes your umbrella? A voice that answers when you call, a memory of seeing
the same thing at the same time, the first time you matched someone’s pace. Does
someone come to mind? Yes, it’s that person. I’m sending you this first song.”
Shin returns home
and orders Reaper to follow him for an urgent matter. Reaper warns that it’d
better be really important, otherwise he’s dead, and Shin counters that this is
a matter of life and death for him. With that, he
storms out the front door and exits into that garden with the buckwheat
flowers. Reaper goes out the same front door… but ends up on the front stoop of
the house. They both stand around waiting for the other in different spaces,
and then Shin goes back the way he came and comes out of the house again.
Reaper finds the
whole thing curious, and Shin mutters to himself that the kid managed to do a
thing that the reaper couldn’t. Reaper gets competitive and demands to know who
did what that he couldn’t do, and says they’ll do it again. He presses himself
up against Shin’s back, saying, “I’ll stick really close this time,” and Shin
practically jumps out of his skin. Shin dismisses the reaper as nothing but a
monster and tells him to get lost.
Shin’s “nephew”
caretaker Deok Hwa (played by Yook Sung Jae) arrives and asks Reaper if everything is going well in the
house, and if it’s not too humid. He reaches out for a handshake, and Reaper
leans away from him, making sure not to touch.
Deok Hwa wonders
what to call him, since he can’t keep addressing him as New Tenant, and decides
on Last Room Uncle, since he’s got the room at the end of the hall. He asks
Last Room Uncle to do him a favor and lie to Grandpa about living here, because
Deok Hwa knows he’ll be in trouble for renting out the house.
Eun Tak returns to
the same door that led her through the portal, and pleads for Canada to still
be on the other side. But it’s no longer a portal and she just ends up in the
restroom, where fairy godmother Samshin Granny (still in her beautiful young
lady guise) is washing up. Eun Tak doesn’t
recognize her, but Samshin Granny takes in her appearance and asks if she’s a
senior, pretending that it’s the tired eyeballs and the uniform that were a
giveaway. Granny hands Eun Tak a bag of spinach and tells her to share it with
her family.
Eun Tak is met
with more abuse when she gets home, and Aunt snaps at her to hurry up and cook
them dinner. Eun Tak sighs at the empty fridge and remembers the spinach, so
she rolls some kimbap. Her cousin comes
running out to tattle on Eun Tak when she discovers the Quebec guidebook in her
bag, and Aunt whaps her over the head repeatedly with it, accusing Eun Tak of
planning a getaway with Mom’s insurance payout. Eun Tak cries that it’s just a
memento.
Aunt is distracted
for a moment when one cousin goes to cut the kimbap and cuts her own finger
instead, and then the other cousin takes a bite and immediately starts to
choke. Aunt runs over to her kids, and Eun Tak grabs her guidebook and dinner
before running out the door. She sits outside trying not to cry, alternating
between mouthfuls of kimbap and wiping her tears away.
Shin lies awake in
bed going over what he knows about Eun Tak—she has the ability to summon him
and can follow him through portal doors, but she can’t see the sword in his
chest. He wonders what
she is, and then suddenly remembers her “I love you” and says aloud in his
formal old-timey speech, “Moreover, if she meant those words, it is most
vexing.” His foot shakes and his teeth rattle, and he finally darts up in bed
and declares that curiosity always defeats dignity. He tosses dignity
aside and shows up in the street where Eun Tak is pacing back and forth. He
stammers that he’s very busy and acts like he’s totally put out that she
summoned him here, and Eun Tak says she really didn’t summon him this time. He lies through
his teeth that she called him here, and asks if she wasn’t thinking about him
just now. He looks nervous as he waits for her answer, but she confirms that
she was, and Shin runs with it.
Eun Tak asks if
merely thinking of him will summon him too, and Shin mumbles that the rules
aren’t really clear, but he’s very sensitive to these things. He asks the
nature of her thoughts about him, and Eun Tak says that she thought she’d be
happy living in Canada, and that made her think of him. She says that he
was wearing expensive clothes and might even own that hotel, but she’d wondered
why he looked so sad. Shin doesn’t answer, and instead asks why she’s pacing
around so late at night. Eun Tak says she’s waiting for her family to fall
asleep. Shin walks with her for a while and says that he’s walking to digest
his food, so she shouldn’t misunderstand. She points out that he’s said that
three times already.
Across the street,
Eun Tak’s mean-girl classmate sees them and texts her friend to say that Eun
Tak is with a man in his thirties, who must be her sugar daddy. She gets ready
to take a picture of them, when suddenly the car door she’s standing behind
shoots open and knocks her off her feet. The girl is about to complain to the
person inside the car… except there’s no person inside. Shin doesn’t even
glance her way, and the girl runs crying home to mommy.
Eun Tak continues
her job search, and walks inside yet another chicken shop. She’s
immediately struck by the beautiful woman sitting inside the empty
restaurant—this is Sunny (played by Yoo Inna), who tosses her hair expertly and then asks
if Eun Tak wants chicken to-go. Eun Tak says she’s
here for the part-time job, and Sunny tells her to sit, though she says that
she can’t remember the last time she’s had a customer. Sunny is a bit odd, only
half-listening to Eun Tak and mostly sighing over and over about how she can’t
remember the last time someone ordered a chicken or asked for more radish.
Sunny asks direct
questions like, “Are you poor?” and when Eun Tak says she’s a senior in high
school, Sunny just says it must be nice to be young. It’s like she has no
linking logic between her thoughts, and Eun Tak can barely keep up with the
changing conversation. For no discernable
reason, Sunny declares that today will be their Day One, and gives Eun Tak the
job. Eun Tak leaps from her chair, overjoyed, while Sunny just sighs
dispassionately over the lack of customers for the millionth time.
Eun Tak clutches
her new nametag happily and thinks about Shin, calling out to him in her
thoughts. She whirls around expecting him to show up, but he doesn’t, so she
resorts to lighting a match and blowing it out. Shin appears
before her, steak on a fork, mouth hanging open mid-bite. She marvels at the
expensive food he eats, and he asks if she can’t call and make appointments
like a normal person, and think of him. He means for her to be considerate, but
she changes the meaning and complains that thinking of him didn’t work this
time.
Eun Tak adds that
she’s interested in promising the future though, and says again, “I love you!”
Shin bites into his steak and stomps off.
When Shin returns
to the house waving his fork in the air, Reaper watches him warily and decides
that he must be crazy. Reaper goes through a whole ritual to climb into bed
that night, but it’s ruined anyway when Shin bursts into the room and frightens
him. Out of breath,
Shin asks if this outfit is better than the one he was just wearing, and Reaper
can’t tell that he changed clothes at all. Neither can I, pfft. Shin holds up a
book and asks, completely straight-faced, “Does this book go with this outfit?
She’s going to keep summoning me, and no matter when or where, I want to appear
smart and flawless.” Hahahahaha. This is the best.
Reaper asks who
this person is, but Shin just tells him to focus and imagine that it’ll be the
outfit he wears to leave this house in, and suddenly Reaper perks up and gives
him an enthusiastic two thumbs-up. Shin moves on to
modeling CD vs. record, wanting to know if it’s better to go with classical or
k-pop. Reaper bursts his bubble by saying that kids listen to audio files
nowadays. Shin doesn’t even get past the door with his giant paintings.
Shin creeps up
onto Reaper’s bed and pulls back the sheet, marveling at how he sleeps like a
dead person in a coffin. Reaper wails to be allowed to sleep, and then we fade
to morning, when he wakes up with a granny sleeping cap on his head and a
flower-print blanket. “I’m going to crush him,” Reaper grinds out.
Shin chuckles to
himself, and Reaper comes out to collect his laundry. He grabs a pair of
underwear and starts to sing the children’s song, “The goblin’s panties are
strong. The goblin’s panties are smelly~” Shin warns him
peevishly to cut it out, but Reaper continues and wonders what you’d have to do
to your panties for there to be a whole song about it. “Was it manly?” Reaper
leans down to ask. Shin screams at him to stop it, and Reaper just pleasantly
returns to folding his laundry.
Nephew Deok Hwa
comes by to check on Uncle Shin on a stormy day, and finds him curled up in bed
and looking so defeated. In a very dramatic tone, Shin reverts to his formal
speech and tells Deok Hwa that it’s time for him to hear the truth about his
family and Shin’s tragic fate. Shin tells him not to be surprised, and then
takes a deep breath and says, “I am actually…”
“A goblin?” Deok Hwa interjects, stealing all of Shin’s thunder. Deok Hwa says he’s known since he was six, given the whole I-summon-you-gold thing (in traditional lore, a goblin has a magical stick that he uses to summon gold at will). In flashback, we see Shin sitting before piles and piles of gold bars that he made appear. Little Deok Hwa knew then that Shin wasn’t his real uncle.
“A goblin?” Deok Hwa interjects, stealing all of Shin’s thunder. Deok Hwa says he’s known since he was six, given the whole I-summon-you-gold thing (in traditional lore, a goblin has a magical stick that he uses to summon gold at will). In flashback, we see Shin sitting before piles and piles of gold bars that he made appear. Little Deok Hwa knew then that Shin wasn’t his real uncle.
Back in the
present, Deok Hwa says stuff like this is why he couldn’t possibly not know…
and we cut to his view of Shin, floating in the air like a genie. Deok Hwa
worries about him accidentally showing his magic in front of others, while Shin
is focused on one thing: the fact that Deok Hwa has known he was a goblin since
he was six, and has used banmal with him all this time. Shin floats higher
and higher, and lightning strikes in the sky. Suddenly scared, Deok Hwa tacks
on a little jondae at the very end to appease his uncle.
At the chicken
shop, Sunny is happy at the sudden rainstorm, given that there are no customers
anyway, rain or shine. Eun Tak is downcast because she doesn’t have an
umbrella, and Sunny offers her one of her many umbrellas, and tells her not to
bother bringing it back. Eun Tak lights up
like she’s been given something precious and Sunny finds it odd, but that’s
because she doesn’t know about Eun Tak’s horrible selfish umbrella-hogging
family. Sunny heads out for a break and advises Eun Tak to play hooky while the
boss is away, and Eun Tak looks positively smitten with her.
Sunny goes to get
her fortune read by a shaman, who sighs that she’s an orphan with no luck, and
warns her against a man in a black hat. Sunny just hopes that the man in the
hat is very handsome.
Shin stops Reaper on his way out, and Reaper says he’s headed to the dry cleaners, indicating the “dry clean only” tag on his hat. Shin says, “I’ve felt this every time, but that hat is a very good plan… to look ridiculous in front of the dead for the last time.” Reaper huffs but says the hat is how the dead recognize him, and also how he prevents the living from seeing him.
Shin: “It’s a good thing the living can’t see you. It would be very embarrassing.” Shin is pleased at getting the last word, and then proceeds to sit there with his smartypants props, just waiting for Eun Tak to summon him.
Shin stops Reaper on his way out, and Reaper says he’s headed to the dry cleaners, indicating the “dry clean only” tag on his hat. Shin says, “I’ve felt this every time, but that hat is a very good plan… to look ridiculous in front of the dead for the last time.” Reaper huffs but says the hat is how the dead recognize him, and also how he prevents the living from seeing him.
Shin: “It’s a good thing the living can’t see you. It would be very embarrassing.” Shin is pleased at getting the last word, and then proceeds to sit there with his smartypants props, just waiting for Eun Tak to summon him.
Eun Tak puts a
protective coating on her autumn leaf to give as a gift, and her friend calls
it old-fashioned. She says it’s okay because she’s giving it to someone old,
and when her friend asks if she has a boyfriend, Eun Tak calls it a thank-you
gift for helping her get a job. Eun Tak blows out
a match and says that she has a present for ajusshi. But when she looks up,
it’s not Shin, but Reaper who’s there to see her. She reaches up to her neck
and says she forgot her scarf, just like the last time she saw him.
That’s
confirmation enough for Reaper that she can see him, and he stands in her path
and says it’s no use denying it. He notes that it took him ten years to find
her because she moved , and she asks if
she’s supposed to die when she’s only nineteen. “People die at
nine, and people die at ten. That’s death,” Reaper says. He can sense someone
protecting her though, and asks who it is this time. They both look over, and
Shin is standing there.
Eun Tak runs over
to Shin in a panic, but instead of hiding behind him, she covers Shin’s eyes
protectively and tells him not to meet the grim reaper’s eyes. He looks at her
intently, and then lowers her hands and pulls her behind him. Reaper asks what
he’s doing, and Shin says he’s interfering in human life and death, which
Reaper calls a big mistake. But before he can say that Eun Tak was supposed to
die, lightning and thunder roar overhead, as if Shin is displaying his anger.
Shin shoots him a thought telepathically, and warns Reaper to be careful, or
else he’ll start to concern himself with Reaper’s life and death too.
Eun Tak suggests a
quick getaway and tries to pull Shin along with her, only to bounce right back.
Shin says that Reaper can’t take her, even if he’s been searching for her for a
hundred years: “No reaper can take someone who said she’d marry a goblin, and
before a goblin’s eyes at that.”
Eun Tak’s eyes
widen, and she quickly tells the reaper that she’s the goblin’s bride. Sirens
sound nearby and Reaper has to get to work, and suggests talking to both of
them about this another time. As soon as the
reaper is gone, Eun Tak lets out a shaky breath and says she knew Shin was a
goblin. He says he lied about it because he thought he’d never see her again.
“Who knew you’d come inside my door, where no one has ever followed me in
before?” he asks. We’re not talking about portals, are we?
He says that the
truth wouldn’t have mattered because she’s not the goblin’s bride, and Eun Tak
asks with tears in her eyes what she is then, when ghosts tell her she’s the
goblin’s bride and reapers tell her she should be dead. “What am I?” she asks. Shin says it’s not
his concern and she gets angry at that and accuses him of lying because she’s
not pretty enough to be his bride. But he says readily, “You’re pretty. I’ve
lived over nine hundred years. I’m not looking for someone who’s pretty; I’m
looking for someone to discover something about me.”
He says she should
consider it a good thing, because if she had been the bride, she would’ve ended
up resenting him a great deal. He says he’s telling her the truth now because
he wants her to stop summoning him with false hope, and says that he’s leaving
this place soon. She starts to ask
where he’s going, and then declares that she doesn’t care, and she never wanted
to be his bride anyway, because she’s only nineteen and she’s not crazy. She
starts to walk away and then turns back, but he’s already gone.
At home, Reaper
asks if Shin is going to die at last, but Shin says it’ll regretfully have to
wait, since Eun Tak can’t see the sword in his chest. Reaper points out that
she might not see it yet, or that he might have to be naked first, though he
seems concerned about the girl’s age.
Reaper wonders why
Shin is protecting the girl if she’s not the bride, and Shin just tells him to
let her live since she’s already skated by. But Reaper’s not about to have a
missing person on his watch, and says he can’t live with a goblin that’s
messing with his work. Shin welcomes him to move out.
Eun Tak decides to
read up on goblins, though the only place she can really do that is in
children’s books. A little girl comes by to ask Eun Tak why a big unni like her
is in the kids’ section, and Eun Tak calls it a background search on her
boyfriend. “It’s like Facebook-stalking. You’ll do this when you’re older too,”
she explains.
The little girl
asks if her boyfriend is a knight on a white horse, and Eun Tak sighs that it’d
be nice, scowling at the pictures of goblins on her books. She gets angry
thinking about Shin’s words to her and decides that she doesn’t care anymore,
and sticks her maple leaf in one of the books and leaves it at the bookstore. But as soon as
she’s gone, a hand reaches out for the book she left it in…
At home, Shin gets
up in excitement when he smells smoke, thinking that Eun Tak has summoned him
again. He stands up to prepare himself, but then nothing happens. He turns the
corner to find Deok Hwa smoking, and he quickly puts out the cigarette and says
that Uncle smoked and quit once too. Shin shouts that it was it was 350 years
ago.
That night, Reaper
comes out wearing a sleeping cap again, thanks to Shin, and asks Deok Hwa
what’s going on in the house because it’s suddenly moist and cloudy inside. This must be what Deok Hwa was referring to with the humidity, because Shin is
literally hanging out with a dark cloud hanging over him and glowing a fiery
blue.
Deok Hwa asks
Uncle to quit before it rains in here, and Reaper deduces that he’s thinking
about a girl, most likely because of a marital spat. Deok Hwa is shocked to
hear that Shin has a girl and that she’s nineteen, but his only concern seems
to be whether she’s pretty. Shin gets mad at Reaper for blabbing in front of
the kid and calls him a grim reaper in front of Deok Hwa, whose eyes widen in
alarm.
Deok Hwa advises
Shin to just man up and apologize if he hurt a girl’s feelings, and suggests
showering her with gifts. Shin responds by tying him up on the stairs like a
hostage.
Goblin and Reaper
head out of the house at the same time, and Shin ends up tailing Reaper all the
way to Eun Tak’s house. When Reaper says she isn’t home, Shin accuses him of
killing her. Reaper gets wholly offended at the notion that reapers kill, while
Shin says it’s also rude to enter people’s homes with your shoes on. Reaper asks
huffily if Shin told Eun Tak to move, and Shin says she moved on her own,
satisfied that Reaper can’t find her now.
Eun Tak stays the
night at the chicken shop, and comforts herself by saying that Aunt’s house was
never her home anyway. Suddenly
remembering something, Eun Tak runs out to the street in search of the ghost
that called her the goblin’s bride, and she asks how the ghost knew. She takes
her to another ghost, who tells Eun Tak about the night that the goblin saved Eun
Tak and her mother. She realizes then that she’d never have been born if it
weren’t for Shin. Meanwhile Shin watches over her that night, but keeps his
distance.
Eun Tak’s aunt
goes charging into Sunny’s chicken shop (momentarily stunned by her beauty, ha)
and demands to know where her precious niece is. Sunny doesn’t bat an eyelash
at the rude aunt and calls her girlfriend in a fake accent and asks if “oppa”
still beats up anyone, man or woman. Aunt goes running instantly, and Sunny’s
friend asks if she’s gone nuts.
It turns out that
the reason Aunt is so obsessed with Eun Tak’s bankbook and insurance payout is
because she has loan sharks after her for debt, and when they hunt her down at
home, Aunt swears that Eun Tak’s mom had a hefty insurance plan, but she just
doesn’t know where Eun Tak is hiding the money. The gangsters
simply find out where Eun Tak goes to school, and haul her into their car,
kicking and screaming.
Over dinner, Shin
asks Reaper how he can afford twenty years’ rent on this house, and Reaper says
he’s been collecting the money that loved ones leave to the dead for the last
three hundred years. Shin thinks it’s quaint to save money, bragging that he
has lots of gold, and Reaper sends Shin’s steak flying out the window. Shin
laughs and says he just threw out a plate from the time of Louis XIV. The fight
escalates to the point that everything on the table is floating in the air
above them, knife and fork hovering close to each of their heads.
The loan sharks
rip through all of Eun Tak’s belongings in the car, in search of the bankbook.
She notices the driver lighting a cigarette and leaps forward to blow out the
flame, but she misses and the lighter falls to the floor. The loan shark
says that either Eun Tak or Aunt is lying and raises a hand to hit her, and
when Eun Tak ducks for cover, the goblin’s mark on her neck starts to glow.
Shin can sense something amiss and suddenly drops everything.
In the car, the
loan shark tells Eun Tak to remember where that bankbook is, because she ought
to know that taking a young girl into a remote area can only mean bad things.
She screams and begs for help. Suddenly the car
comes to a screeching halt, and one by one the streetlights go out, surrounding
them in darkness. And through the fog, two men appear in the street, strutting
towards the car in slow-motion, perfectly backlit by a full moon. Eun Tak looks up
to see Shin and the grim reaper, walking side by side to come save her.
Personal Thought:
They came together! I mean, I’m obviously glad that Shin came to save Eun Tak, but I’m so much more excited by the fact that goblin and reaper came together. This is the start of a beautiful friendship, and so many buddy cop antics down the road. I can’t wait for Yoo Inna to get in on the hijinks either, because her character is so weird and perfect for the deadpan reaper. But it’s the goblin-reaper relationship I like most so far, because they’re so delightfully petty and childish, but with the power of gods and centuries of life under their belts. It’s also helpful that they’re not so familiar with each other, because it’s an easy way to learn about the two types of mythical beings if they’re testing each other’s limits and getting into pissing contests, over everything from underwear to Eun Tak’s life and death.
Storywise, it’s great to have reaper and goblin at odds over the bride, but it’ll be an even richer conflict if the reaper gets to know her as a person too, and stops seeing her as just unfinished business. The reaper’s presence also adds a nice bit of tension, because I find it curious that Eun-tak isn’t afraid of Shin at all, not even a little, but her reaction to Reaper is very different, and I liked what we saw when the three of them were together. It must just be a winning combination to have goblin and reaper together in any scene, because the three-way bromance with Deok Hwa is great too. I died laughing when the goblin’s brooding turned out to make actual clouds—this kind of metaphor made literal through the goblin’s supernatural powers is what I like most about the show, because it’s funny, but it’s built into the mythology, and isn’t just wordplay.
I’m really glad that the mythology feels rich and full, because I tend to find many of Kim Eun Sook’s dramas written purely around the one glory moment (as in the heroic entrance through the fog, which we’ve seen from her before). But goblins and gods and reapers make for a world with instant life-and-death stakes from the start, and I’m captivated by the lonely lives of these immortals who are stunted by very human emotions. I like the idea that the drama is really about lonely immortals being less lonely with friends, and still having very human needs at the end of the day—everything from rent money, to food, to friendship, to love. The everyday humanness of their lives is what makes the characters endearing, despite their epic powers. You might be an almighty god who can smite thy enemy, but you still become a neurotic little boy in front of a girl who piques your curiosity, and you still seek fashion advice from your roommate for what to wear when she calls. I thought you were cool, goblin, but now that I know you’re not, I think I might love you.
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