King Taejo orders his son and fourth prince So (played by Lee Jun Ki) to go to China (specifically the Later Jin dynasty) as an ambassador. So agrees to do as he’s told, but he asks for the King to allow Soo (played by IU) to continue working in the palace.
The King agrees, only for as long as it takes for So to leave the room. Then he tells Astronomer Choi to send Soo to a place where none of the princes will be able to see her again—if So won’t let her go, then he’ll make it so he has no choice. Astronomer Choi finds Soo in the late Court Lady Oh’s room, and offers Soo some comfort when it comes to her mentor’s death. But then he informs her that she’s to leave the palace, effective immediately.
Soo just sighs in resignation as she asks where it is that she’ll have to go. Meanwhile, So packs his belongings, including the makeup needed to cover his scar. Before she goes, Soo makes Soore to find So, despite having to limp because of her wounds. They go for a slow walk, where So gives her pointers on how to best get over her pain and grief. If she works hard, she’ll be able to forget, which Soo turns back onto him: “You should forget me now.” So doesn’t take her seriously, and only asks that she stay in the palace and wait for him.
“I will not wait for you,” she replies, handing back the hairpin he gave her. “This happened to you because you tried to help me,” she adds, referencing his new appointment to go to Later Jin. She feels bad because she knows how happy he was to be allowed into the palace, but now he’s having to leave because of her. Using a hand on her waist, So pulls her closer, and leans in for a kiss. At the last moment, Soo turns her head, and So just smiles. “I said I would get your permission,” he says in light admonishment.
Then, with her guard down, So steals a very quick kiss. “I lied,” he explains with a Cheshire grin. He takes the hairpin in her hand and says he’ll use it as a good luck talisman, since he’ll be back soon. But as he walks away, Soo thinks to herself that she won’t be waiting for him, even though he risked his life for her and called her his. As he turns around and waves at her with the pin in his hand, Soo thinks to herself that she can’t help but be afraid every time they meet. Despite knowing that her heart had been in someone else’s hands, she wonders, “Why is it so difficult to let you go?”
Wook (played by Kang Ha Neul) sees her limping up the steps upon her return to the palace, but can’t bring himself to say anything to her. She turns around to see him turned away from her, and he walks away from her purposefully.
Tears well in her eyes, but she says nothing. Only when she’s turned away does Wook chance a look back at her.
So returns to wearing a mask on his journey to Jin, while Soo is sent out of the palace with a small bundle of her belongings. Fourteenth prince Jung (played by Ji Soo) finds Wook to tell him that Soo’s gone. Wook leaps to his feet and checks Soo’s room, which is now devoid of her presence. Knowing that she’s been cast out, Wook slowly sinks to the ground, crying. “Soo-ya… if you just leave like this…” He reaches out a trembling hand to her bedding, before he throws it in a rage and cries out, “Soo-ya!” Outside the palace, Soo turns as if she’s heard it.
Queen SinmyeongSoonseong talks casually about that “pesky creature” who’s now dead to Princess Yeonhwa (played by Kang Ha Na), referencing Court Lady Oh. Now that she’s seen Yeonhwa’s scheming side, the evil Queen thinks that they’re very much alike, but Yeonhwa reminds her that her own mother, Queen Sinjeong, was exiled for supposedly causing Court Lady Oh’s miscarriage.
Though she doesn’t outright claim that the evil Queen was to blame for the miscarriage, everyone knows that she’s the reason Court Lady Oh, the woman the King loved the most, had to die. If her own mother could be exiled for causing a miscarriage, then Queen SinmyeongSoonseong is in for much worse—so Yeonhwa knows an alliance would be foolish. The evil Queen says that Yeonhwa is just as culpable as she is, which makes the princess laugh. Because she drank the poison, she’s free of suspicion, and anyone else who was involved is either dead or gone. “You are alone now, Your Majesty. Do not make my mother get on her knees ever again,” Yeonhwa adds as a warning.
Third prince Yo (played by Hong Jung Hyun) is back, and having overheard the conversation, he tells his mother that he can’t help but like Yeonhwa for her gumption. His mother warns him to stay away from her, while Yo seems to think of it as a challenge. Besides, his uncle, Wang Shik Ryeom, has offered to support his potential rise to the throne.
One year later, the 26th year of Taejo’s reign. King Taejo is apparently not long bound for this world, and third prince Yo taunts his brothers that the King may very well decide that he should have the throne.
Now that Yo’s returned to the palace with supporters ready to place him in power, Crown Prince Mu worries that the King has made it so that anyone can take the crown. Astronomer Choi assures him that the King is only using this opportunity to find out who’s on Mu’s side, but Mu worries that those close to him will be the ones to pay for the King’s experiment.
At a festival held for King Taejo, princess-in-disguise Woo Hee (played by SNSD's Seohyun) is among the group of sword dancers performing for him. Suddenly, she breaks from the others, jumps onto the King’s table, and stabs him with her sword. Of course, it’s just a daydream on her part, since she’s just practicing her sword dance. Thirteenth prince Baek Ah (played by Nam Joo Hyuk) calls her out for getting the move wrong, since he’s providing the accompaniment.
Baek Ah ends up inches from Woo Hee’s face during his admonishment, which makes her acutely aware of their proximity. But when he mentions that “the wife” has prepared food for him, her eyes go wide: “You’re married?” Seeing her face, he pounces on the chance to taunt her as he asks if him being married would bother her. She’s quick to demur, though she’s curious to know how long he’s been married, if he has children, etc. Baek Ah continues to tout his imaginary family until he tells her that the wife he was referring to was his father’s wife, aka his mother, and gives her the modern “Okay” hand signal that Soo taught him.
Yo offers Princess Yeonhwa a ring along with the promise that he’ll divorce his wife once he becomes King, and make Yeonhwa his Queen. She’s not buying it, since Yo’s father-in-law is the current Minister of the Left, Park Young Gyu, and he’d be crazy to lose that alliance. But Yo says he’ll only need Minister Park’s support before he becomes King, and not after. He deliberately places the ring on Yeonhwa’s finger even after she pushes it back toward him, though Wook’s appearance gives her a chance to pull her hand back.
Though Wook is slightly hostile toward him, Yo reminds him that with the King about to release teachings for his descendants, it means that there’ll be a major shift soon. Yo wonders if they should just attack first and get their father out of the way before that happens, but at Wook’s admonishment, he claims he was only joking.
Yo leaves, but not before reminding Wook of his promise to support him when the time comes. Yeonhwa is quick to call Wook out for making such a bargain—why wouldn’t he try to claim the throne for himself? But Wook has clearly given this more thought than her, since he knows that whoever goes against the Crown Prince will become a traitor. However, if he were to rise up against that traitor, then he’d become a hero.
When Yeonhwa asks what would happen if Yo were to end up betraying him, Wook’s eyes land on the ring Yo gave her. She’s scandalized when he says it suits her well, knowing full well what he means: “Are you telling me to become a hostage?” With a humorless smile, Wook tells her to call it what she likes. “We owe each other a great debt, do we not? You should put up with this much.”
We find Soo working as a lowly water maid for a gisaeng house, though her reputation for once being a court lady in Damiwon is well known amongst the other girls. They grow angry when the still-crippled Soo refuses to gossip about any of the princes with them, and deliberately trip her when she tries to leave. They accuse her of killing her own Superior, calling her bad luck.
They throw her laundry back into the river, and as Soo struggles to collect it all, Wook and Jung happen to see her struggle. Wook is the first to turn away. Once in the palace, Wook confronts Jung over deliberately taking him to see Soo. Wook claims to be indifferent to her plight, but Jung knows that he loved Soo once, so what’s the reason he can’t go to her? Wook claims that it’s because he can’t go against the king, but Jung doesn’t quite look like he buys it.
That night, Wook finds Soo eating a meager meal alone. She sets it aside when she sees him and rises unsteadily, causing Wook to ask if her leg still pains her—he knows Jung has been sending her medicine. In a flat tone, she tells him that it only bothers her sometimes, but that she’s fine otherwise.
“Do you hate me?” Wook asks tentatively. Soo’s eyes fill with tears as she looks blankly forward. Wook explains that he couldn’t come because he couldn’t promise her anything, and that it’s his own shame over being so useless to her. Because the King was so upset over Court Lady Oh, he explains, he couldn’t even dare to bring up the idea of marrying her to his father. Only then does Soo speak up: “Did you miss me? Even once? Has there been a time when you missed me?”
After a pause, Wook quietly replies, “Every day. I longed for you every moment.” Soo takes this in for a moment, her expression softening with relief as she says, “That is all I need then. That is enough.” But when Wook says that everything will get better once he has more power, Soo tells him not to put himself in danger on her behalf. With tears in his own eyes, Wook can only tell her to keep herself safe. “Please don’t make me feel sorrier than I do,” he adds, before abruptly leaving. A tear snakes down Soo’s cheek as she watches him go.
So returns from Later Jin, and updates his father on the political goings-on there, including a possible conflict between Jin and the Khitan. King Taejo wants to send him back to deal with it but So refuses, since he knows his father broke the promise he made to keep Soo in the palace when he left.
His father asks if he still has feelings for Soo, which soon turns into a tirade about how Kings should be willing to throw anyone and anything away. So retorts that he isn’t a King and won’t become one, so that rule doesn’t apply to him. He even adds in a subtle threat that if the King wants him to remain as an ally for Crown Prince Mu, then he shouldn’t make things harder for him. “I, too, will live like a human now.”
Grand General Park does some damage control once So leaves, but it’s not that Taejo is upset with So’s actions—he’s actually pleased with his new attitude. “Now, he will not lose no matter who he fights,” the King says, adding that only now will he be able to die in peace.
As Soo hangs laundry to dry, she thinks she sees a vision of So, only to turn around and find nothing there. But then she stops suddenly, feeling a presence behind her. “You never did listen,” So’s voice says. He wraps his arms around her from behind and adds, “I missed you.” Soo tells him that he shouldn’t be there as she pulls away from his grasp, but he just takes her work-roughened hands in his and smiles: “You are beautiful, as always.”
That’s when she finally notices his mask, which breaks her out of her stupor. Sooddenly she’s all questions, but he unmasks himself to reveal a perfectly covered scar beneath. “I didn’t take it off so I wouldn’t forget you,” he says. “I was determined to come back to you.”
Soo reminds him that she’s just a water maid now, and therefore not in a position to be having any contact with him. She’s glad he returned safe, and now he knows she’s fine. That should be enough. She tries to limp away from him, but So grabs her by the wrist, claiming that he’ll find a way to fix her situation. Soo finally breaks and pulls away from him, half-crying that she’s trying to just forget everything through hard labor. But what she doesn’t say aloud is, “You must put a stop to your affections toward me.”
So says he’ll help her just the way she helped him, and together, they’ll find a way for her to forget, without having to live the way she’s living. In voiceover, Soo says, “Please do not throw yourself away because of me.” But aloud, she says that So’s the one she wants to avoid—when she looks at him, she’s reminded of everything she’s trying to forget. She tells him to forget about her too, which is the only way no one will get hurt. She returns to her room, where she’s approached by Astronomer Choi.
King Taejo’s health is failing, so as a last resort, Astronomer Choi serves him a specially concocted tea to bring back his appetite. Taejo knows upon tasting it that Soo made it, and so he tells Choi to bring her to him.
Quick cut to Princess Yeonhwa asking So to marry her. She tells him that she’s thought about the kind of person she is, and that she’s not satisfied with her lot. She wants power, which means she wants the throne. So smiles gently at her as he replies that he’s the opposite of the kind of person she’s looking for, which Yeonhwa claims to know already. But what she wasn’t counting on was that she was a woman with feelings, as she admits, “I have loved you for a long time. I am destined to be with you.”
After a long silence, So says that when he was very young, someone told him he was fated to be King—but that’s the day he received the scar on his face. He wasn’t even treated as a Prince, let alone a King. “We’re destined to be?” he all but scoffs. “I don’t believe in destiny. And there’s someone else I want.” Yeonhwa knows he’s talking about Soo, and warns that he’ll ruin his future if he ties his fate to such an unlucky girl.
“I wouldn’t even have had a future if it weren’t for Soo,” So replies. “Now that I’ve said it, I know for certain—without her, I’m nothing.”
Soo limps into the throne room to meet the ailing King, who readily drinks the tea she made him. Looking at him, Soo recognizes the same symptoms she once saw in her own grandpa, and guesses that he doesn’t have much time left.
Taejo seems to read her thoughts, and then asks, “Where did you come from?” He admits that he looked into her after Court Lady Oh’s death, and after questioning anyone who ever knew her, he concluded that she became a completely different person. But then, he astutely tells her that he thinks she’s similar to Astronomer Choi: “You know the future, and we do not.”
He asks her if she knows So was fated to become king, and sighs that if Crown Prince Mu and So are both destined to become king, no one knows what will happen. He knows she’ll be able to see it all happen, but warns her against getting involved.
Soo’s only request is that the King send her away instead, because she doesn’t have the courage to live in the palace anymore. Taejo’s advice is for her to learn to close her eyes to the things she can’t fix with her own strength, otherwise, her situation will never change.
“Do not get so hung up on the future that you lose what you have now,” the King adds. “If [Court Lady Oh] called you her daughter, then you are a daughter to me, which is why I am giving you this advice.” As Soo leaves the palace, she suddenly finds herself surrounded by the sounds of battle in the courtyard. A premonition of events to come, perhaps.
Meanwhile, Woo Hee cuts herself while practicing her sword dance, and in his worry, Baek Ah discovers scars from old cuts crisscrossing her wrists. He knows better than to ask, so he asks if he can hold her instead. She shakes her head, but he pulls her in anyway.
He says he’s sorry for any hardship she endured, even though he wasn’t around then. “I want only good things to happen for you, and I want to make you happy now. Trust me.” Woo Hee pulls away, angrily asking who he thinks he is to promise Sooch things. When she leaves, Baek Ah quietly admits, “I still have more to confess to you.”
Soo happens to see Woo Hee crying, and next thing we know, the two are sitting down for a chat. She seems to know that it has something to do with Baek Ah, which makes Woo Hee question how Soo knows him. They talk as if they know each other, which must’ve come about because Soo works as a maid for Woo Hee’s gibang. To cover for Baek Ah (since Woo Hee doesn’t know he’s a prince), Soo claims she met him before she entered the palace. She tells Woo Hee that he’s a good person who she shouldn’t be pushing away, but Woo Hee claims she doesn’t have a choice.
Woo Hee fills in some of the gaps on how she and Soo know each other, as she says both of them bonded over their shared hardships. She wants Soo to do her makeup for the big ceremony tomorrow, because she wants it so that Baek Ah will look at her once and never forget her. “That’s how I want to be remembered,” she says more quietly.
After Yo plots with Minister Park to use Woo Hee to kill the king at the ceremony, he pretends to feign disinterest in whether the King does or doesn’t attend. But that’s because he knows Wook has his back, since Wook is the one who convinces the King to attend.
Yo looks on approvingly as Wook puts his prince’s garb over another outfit. The ailing King presides over the ceremony, but So waits outside to catch Soo so he can give her back the hairpin. “Let’s get married,” he says suddenly. If she marries him, he says, she can leave the gyobang (gisaeng house that focused more on the arts) as well as the palace. At her reluctance, he adds that they can divorce after he gets her out of the palace—all she has to say is yes.
Of course, Soo doesn’t, because she doesn’t want to make So leave the palace. So claims to not care if he’s with his father or not, to which Soo asks, “What if you were to become king? Would you still leave?” So: “If I were king, would you leave with me?”
Handing her back the hairpin, So smiles a bit as he asks her to come with him—she’s still his, after all. Soo seems to waver for a moment, but then she gives the hairpin back. She can’t marry him, she says, and turns to see that Wook has overheard the entire conversation.
Wook grabs So before he can chase after her, telling him not to fill her head with lies that he, a prince, could marry a water maid like her. “If I say it’s marriage, then it’s marriage,” So fires back. But then Wook reminds him that he’s the reason Soo’s in Sooch a lowly state, which is why he can’t forgive him. But So won’t take the blame from him, and says that he gave him everything he needed to prove Soo’s innocence. Wook’s uselessness is the reason Soo’s there, he adds, which only makes Wook grab his half-brother by the collar.
At the ceremony, Woo Hee takes part in the sword dance. As the music crescendos, she sees Baek Ah in the crowd, realizing from his clothes that he’s a prince. Baek Ah watches her gaze and has a realization of his own: She was practicing the wrong movements earlier because she had another plan in mind.
As Woo Hee rushes the king, Baek Ah jumps in front of her and takes the sword meant for his father.
Back with the two warring men, So tells Wook to stop pretending like he cares about Soo—he can just turn his back on her like he already has. But he can see whatever Wook’s wearing underneath his robes by the hold he has on him.
And then, quick cut back to Baek Ah, who pulls back from Woo Hee.
Personal Thought:
I had a feeling we were in for a ride when that time skip rolled around, since we were already back to being excluded from the events of the episode—and then suddenly, we were dropped into the story a year later without even one exposition fairy to help catch us up. It was disorienting, and for the remainder of the episode I couldn’t help but feel like the show was just trying to keep itself afloat.
I think making it 50 episodes long would actually be better for the drama. See the original, is like 35 episodes long, and it was able to narrate the story fully and a lot time for its individual characters to flesh out. But Moon Lovers have to cram these rich story and intertwining plot-lines into 20 episodes. So it can really lose it’s focus per episode especially when they have to maximize their one hour trying to tell the story. For example, the original clearly tells on how Ruo Xi and 13th Prince bound to get close as best friend, then he introduced her to Lu Ru (the gisaeng - Woo Hee - played by SNSD's Seohyun). While there are some consistency with the story line, the relationship between each character flows more naturally. However, Moon Lovers seems to edit that part out and fills the gap with the flashback as always, while it might seems as if we are excluded from certain events that should've happened for real.
I notice the editing is very clunky this time, specially when the camera is out of focus when Seohyun appears for dance. They could have done a better job with it, but since they are giving out two versions of these drama, it’s obviously pretty hard to do. I wish Moon Lovers was at least as long as the original. And that they only have to produce the SBS version.
I do wonder why they dragged the relationship between Soo and 8th Prince for a long time already? They should have ended it since ep 10, whereby Soo should have asked him whether he is willing to throw everything. But it seems as if we are going to see more on next episodes. I wonder whether there'll be enough time for love blossoms between Soo and 4th Prince since there are only 7 episodes left and there are still many story that should have taken place already. Gosh, we better watch out for short romance scene between Soo and 4th Prince.
